Visual artist. Born in Buenos Aires in 1963. He studied at Escuela Nacional de Bellas Artes de Buenos Aires. He exhibited at Blanton Museum, Austin, Texas (USA), at CGAC, Centro Gallego de Arte Contemporáneo,
Santiago de Compostela (Spain), at The University of Essex ( England), at Pinacoteca do Estado de São Paulo (Brazil), at Inhotim - Centro de Arte Contemporânea,, Belo Horizonte (Brazil), at Museo de Arte Moderno de
Buenos Aires (Argentina) and at the Museo de Arte Contemporáneo de Amberes MUHKA (Belgium). He participated at Havana Biennal (2000), Porto Alegre Biennal (2003), Istambul Biennal (2003), São Paulo Biennal (2004), Venice Biennal (2005) and Porto Alegre Biennal (2007). In 2000 he received Banco de la Nación Argentina Prize and Guggenheim Memorial Foundation Fellowship in 2001. He showed his work in the galeries Ruth Benzacar in Buenos Aires, Luisa Strina in Sao Paulo, Distrito4 in Madrid, Galleria Continua in Italy and Peter Kilchmann in Zurich. Between 1994 and 2002 he participated in artist's residences abroad, invited by foundations and institutions of France, Holland, England, Germany and Italy. He lives and works at Buenos Aires.

Jorge Macchi
e-mail: info@jorgemacchi.com

 

Solo exhibitions

2010

2009

  • Piscina, Instituto Inhotim, Minas Gerias, Brasil. [video 1] [video 2]
  • Rendez-vous, Galleria Continua, San Gimignano, Italy.
  • 10.51, Künstlerhaus Bremen, Germany.
  • Last minute, in collaboration with Edgardo Rudnitzky, Project Octógono,
    Pinacoteca do Estado de São Paulo, Brazil.

2008

  • Round Midnight, Peter Kilchmann Gallery, Zurich, Switzerland.
  • Anatomia da melancolia, CGAC, Centro Gallego de Arte Contemporaneo,
    Santiago de Compostela, Spain
  • The singers' room, in collaboration with Edgardo Rudnitzky, Galleria Continua,San Gimignano, Italy

2007

2006
  • Light Music, two projects (Twilight y Single Room) in collaboration with Edgardo Rudnitzky, Universtiy Gallery, University of Essex y Firstsite, Colchester, Inglaterra.
  • Due volte nello stesso fiume, Galleria Continua, San Gimignano, Italia
  • Time machine, Kilchmann Martin Gallery, Mexico DF, Mexico.

2005

  • Still song, Peter Kilchmann Gallery, Zurich , Switzerland.
  • Time machine, Galería Distrito4, Madrid, Spain.
  • Doppelgänger, Galeria Ruth Benzacar, Buenos Aires.
  • Doppelgänger, Casa encendida, Madrid, Spain.
  • La ascención, Argentine representation at the Venice Biennale 2005, Palagraziussi, Antico Oratorio San Filippo Neri, alla Fava.

2003

2002

  • Fuegos de artificio, Ruth Benzacar Gallery, Buenos Aires. ENAD, site Aubusson, Francia.
  • Fuegos de artificio, Mirta Demare Gallery, Rotterdam, Holland.

2001

  • Le 10Neuf, Centre regional d'art contemporain, Monbéliard, France.
  • Nocturno, Recoleta Cultural Center, Buenos Aires.

1998

  • Incidental Music, University Gallery, University of Essex, England .
  • Música incidental, Ruth Benzacar Gallery, Buenos Aires.
  • Evidencias circunstanciales, Museum of Modern Art Buenos Aires .
  • The wandering golfer, MUHKA (Museum of Contemporary Art Antwerp), Belgium.

1996

  • Extremely recent works , Duende Artists Initiative, Rotterdam.

1995

  • Instituto de Cooperación Iberoamericana, Buenos Aires.

1994

  • 32 morceaux d'eau, Jorge Alyskewycz Gallery, Paris.

1993

  • Casal de Catalunya, Buenos Aires.

1992

  • Francois Mitaine Gallery, Paris.

1991

  • Fundación Banco Patricios, Buenos Aires.

1990

  • Alberto Elía Gallery, Buenos Aires.

1989

  • Pinturas y retablos de fines del siglo XX, Alberto Elía Gallery, Buenos Aires.

 

Group exhibitions (selection)

2010

  • Freeze, curated by Caroline Bøge, NILS STÆRK Gallery, Copenhagen, Denmark.
  • Everything is out there, curated by Rosa Lleó and Zaida Trallero, La casa encendida, Madrid, Spain.
  • Model Kits, Thinking Latin America from MUSAC Collection, Musac, Museo de Arte Contemporáneo de Castilla y León, Léon, Spain.
  • The 4th Auckland Triennial - Last Ride in a Hot Air Balloon, curated by Natasha Conland, Auckland Triennial, Auckland, New Zeland.

2009

  • Los impolíticos - PAN - Palazzo delle Arti di Napoli, Naples, Italy.
  • Escuelismo - Arte argentino de los 90, MALBA Colección Costantini,Museo de Arte Latinoamericano de Buenos Aires, Buenos Aires, Argentina.
  • Deux pièces, Galerie Peter Kichmann, Zurich, Switzerland.
  • 31º Panorama da Arte Brasileira, MAM, Museu de Arte Moderna de São Paulo, São Paulo, Brazil.
  • Private Universes: Media Works, curated by María del Corral, Dallas Museum of Art, USA.
  • Moby-Dick, CCA Wattis Institute for Contemporary Arts, San Francisco, USA.
  • Extranjerías, Espacio Fundación Telefónica,curated by Andrea Giunta, Buenos Aires, Argentina.
  • Revolutionen des Alltäglichen, Museo Morsbroich, Leverkusen, Germany.

2008

  • Shake before use, Artium de Álava, Centro - Museo Vasco de arte contemporáneo , curated by Enrique Martinez Goikoetxea ,Victoria, Spain.
  • Prospect 1 New Orleans, curated by Dan Cameron, Bayou Saint John, New Orleans, USA.
  • Places, Instituto Cultural Inhotim, Brumadinho, Brazil.
  • Point of View, Instituto Cultural Inhotim, Brumadinho, Brazil.
  • South Limit, Centro Municipal de Exposiciones, Buenos Aires, Argentina.
  • Yokohama Triennale, Japan.
  • Order.Light.Desire, An exhibition of contemporary drawings, IMMA, Irish Museum of Modern Art, Dublin, Irland.
  • Cancelled, Erased and Removed, Sean Kelly Gallery, New York, USA.
  • Everstill - Siempretodavía, Casa Museo Federico García Lorca, Granada,
    Spain. Curator: Hans Ulrich Obrist.
  • Face to Face - The Daros Collections, Zurich, Switzerland.

2007

  • Arte, deshonra y violencia en el contexto Iberoamericano, CCE Centro Cultural de España, Montevideo, Uruguay. Curators: Patricia Betancur and Luis Camnitzer
  • Projections, Le 10 neuf, Centre régional d'art contemporain, Montbeliard, France
  • ¡Viva la Muerte!, Kunst und Tod in Lateinamerika , KUNSTHALLE WIEN, Vienna
  • Brave new worlds, Walker art center. Minneapolis, USA
  • Signes d'existence, MAC Santiago de Chile
  • Unsung, Nicole Klagsbrun Gallery, New York. Curator: Dan Cameron.
2006
  • Sao Paulo Biennale.
  • Contrabando, Galería Luisa Strina, Sao Paulo.
  • Cruce de miradas, Collection Patricia Phelps de Cisneros, Palacio de Bellas Artes, México DF.
  • Inner space, Sala Alcalá, Madrid.
  • Wall drawings, Albion Gallery, London.

2005

  • Venice Biennale, The experience of art, curated by Maria de Corral. Italian Pavillion.
  • Romance, Cristina Guerra Gallery, Lisbon, Portugal.
  • Farsites, Insite 05 San Diego- Tijuana, curated by Adriano Pedrosa.
  • Artists in residency, Artpace, San Antonio Texas, USA.

2004

  • Souvenirs Paulistanos, Luisa Strina Gallery, Sao Paulo.
  • Sao Paulo Biennale, Sao Paulo.
  • Treble, Sculpture Center, NY, USA. Curated by Regine Basha.
  • Replica, MUCA Roma, MexicoDF, Mexico. Curated by Jennifer Teets.

2003

  • A nova geometría, Galería Fortes-Vilaça, Sao Paulo, Brasil.
  • Panorama del arte Brasileño (desarrumado) 19 desarranjos. MAM, Sao Paulo.
  • 4 Bienal del Mercosul, Porto Alegre, Brasil.
  • Bienal de Estambul, Turquía.
  • A parasite showing, galería flotante en Puerto Madero, Buenos Aires.
  • Between silence and violence, argentine contemporary art, Sotheby's, New York.
  • 25 Hs, muestra internacional de video arte, Barcelona, España.

2002

  • Bienal de Fortaleza, Brasil.
  • Reality check, Hengevoss-Dürkop Gallery, Hamburg, Germany.

2001

  • El fin del eclipse, Fundación Telefónica, Madrid.
  • Palabras perdidas, Centro Cultural Recoleta.
  • 12 views, The Drawing Center, New York.
  • Mouvements immobiles, Museo de Arte Moderno, Buenos Aires.

2000

  • Banco de la Nación Argentina a las artes visuales Prize, Recoleta Cultural Centre, Buenos Aires.
  • Argentina por debajo de la línea del horizonte, FNA, Buenos Aires.
  • La Habana Biennal, Cuba.
  • 2º Sound Art Festival Humor y aliento, Acceso A Gallery, México City.
  • Arte BA, Buenos Aires Art Fair. Galería Ruth Benzacar.
  • The cutting edge, Arco Arte Fair, Galería Ruth Benzacar, Madrid.

1999

  • Borges.es, Casa de América, Madrid.
  • Argentine photography, Museum of Modern Art, Buenos Aires.
  • FIAC, Ruth Benzacar Gallery, Paris.
  • Sight-seeing, Schloss Plushow, Germany.
  • Collection of Latin-American Art of the University of Essex, Casa de América, Madrid, Spain.
  • Otra Fotografía, Ruth Benzacar Gallery, Buenos Aires.

1998

  • Balance ‘98 Fundación Proa, Buenos Aires.
  • Autorretratos-autobiografías, Centoira Gallery, Buenos Aires.

1997

  • Artists'House, Delfina, London.
  • En tránsito, Fundación Banco Patricios, Buenos Aires; Museo del Chopo, Mexico City.

1996

  • Galerie Jorge Alyskewycz, Paris.
  • Visions from the South, a travelling exhibition of independent cinema and video, organized by Fundación Antorchas and Rockefeller Foundation.

1995

  • Searching South, two southamerican artists, John Hansard Gallery, Southampton. (with Arturo Duclos)
  • 70 - 80 – 90, National Museum of Fine Arts , Buenos Aires.
  • Regards d'Amérique Latine ,Galerie Regard, Geneve.
  • Buenos Aires Video 7, Instituto de Cooperación Iberoamericana, Buenos Aires.
  • Fortabat Biennale. Recoleta Cultural Centre.
  • 1994 El plagio es necesario, homage to Lautreamont, Recoleta Cultural Center, Buenos Aires.
  • CROUS, Artists granted by the French Government, Paris.
  • Installations, Recoleta Cultural Centre, Buenos Aires.

1993

  • Braque Prize, Fundación Banco Patricios, Buenos Aires.
  • Installations, Salas Nacionales de Cultura, Buenos Aires.
  • Deutsche Bank Prize, Museum of Modern Art, Buenos Aires .
  • Oie como va, exhibition curated by Mario Flecha at Reconquista 1030, Buenos Aires.
  • Fortabat Biennale, Recoleta Cultural Centre, Buenos Aires.
  • Video Fest Berlin '93
  • Buenos Aires Video 5, Instituto de Cooperación Iberoamericana, Buenos Aires.

1992

  • Del objeto al fetiche, Castagnino Gallery, Buenos Aires.
  • Konex Biennale, Salas Nacionales de Cultura, Buenos Aires.

1991

  • Decouvertes, Grand Palais, Paris.
  • L'atelier de Buenos Aires, CREDAC, Ivry-Sur-Seine.
  • The ‘80s at the MAM, Museum of Modern Art, Buenos Aires.
  • A vision of argentinian contemporary art (1940-1990), Patio Bullrich, Buenos Aires.
  • Fortabat Biennale, Recoleta Cultural Centre, Buenos Aires.
  • Menor o igual que 30, Fundación Banco Patricios, Buenos Aires.
  • Cuenca Biennale, Cuenca, Ecuador.

1990

  • Fundación Nuevo Mundo Prize, National Museum of Fine Arts, Buenos Aires.
  • Mitos y Ritos en los ‘80s, Centoira Gallery, Buenos Aires.

1989

  • Beyond the Object, Patio Bullrich, Buenos Aires.
  • Fundación Banco de Crédito Argentino Prize for young sculptors '89, Badii Museum, Buenos Aires.
  • Eureka, Castagino Gallery, Buenos Aires.

1988

  • Retorno y Presencia, Ruth Benzacar Gallery, Buenos Aires.

1987

  • Nine painters of the new generation, Ruth Benzacar Gallery, Buenos Aires.
  • X Group, Castagnino Museum, Rosario; Sivori Museum, Buenos Aires.

1986

  • Fortabat Biennale, Fundación Fortabat, Buenos Aires.

 

Grants

2001

  • John Simon Guggenheim Memorial Foundation Fellowship

2000

  • Fondo Nacional de las Artes, Argentina.

1998

  • Fundacion Antorchas, Buenos Aires.

1993-1994

  • French Government.
  • Fundación Antorchas, Buenos Aires.

 

Residences

2005

  • ArtPace, San Antonio, Texas. USA.
  • Civitella Ranieri fellowship, Italy.
  • Schloss Plüschow, Germany.

1996-1997

  • Delfina studios, England.

1996

  • Duende Artists Initiative, Rotterdam.

1993-1994

  • Cité des Arts, Paris.

 

Awards

2006

  • Aldo Pellegrin´s Award to the best artist of the Year

2000

  • First Prize, Banco de la Nación Argentina Prize, Recoleta Cultural Centre, Buenos Aires.

1999

  • Leonardo Prize, National Museum of Fine Arts, Buenos Aires.
  • Ignacio Pirovano Prize to the young artist of the year, Argentine Critics Association.

1993

  • First Prize, Braque Prize, Fundación Banco Patricios.

1990

  • First Prize, Fundación Nuevo Mundo Prize, National Museum of Fine Arts, Buenos Aires.

 

Artist's books

2004

  • Buenos Aires Tour, in collaboration with Edgardo Rudnitzky and Maria Negroni. Turner Libros, Madrid.

2005

  • La ascensión, produced in ArtPace, San Antonio Texas.

2005

  • Ten Drops, slip book, produced in ArtPace, San Antonio, Texas.

2005

  • Doppelgänger, La casa encendida, Madrid.

 

 

BIBLIOGRAPHY

Catalogues in solo exhibitions
  • María Gainza: El ultimo verano, catalogue of the exhibition La ascensión, Argentine representation at Venice Biennale.
  • Belen Gache: Doppelgänger, catalogue of the exhibition at Ruth Benzacar Gallery, 2005.
  • Marcelo Pacheco: Fuegos de artificio, Catalogue of the exhibition at Ruth Benzacar Gallery, Buenos Aires, 2002.
  • Belén Gache: Catalogue of the exhibition at Le 10Neuf, Centre Regional d'Art Contemporain, Monbeliard, Francia, 2001.
  • Phillipe Cyroulnik: catalogue of the exhibition at Le 10Neuf, 2000.
  • Belén Gache: Catalogue of the exhibition Música incidental, Ruth Benzacar Gallery, 1998, Buenos Aires.
  • Gabriel Pérez Barreiro: Catalogue for the exhibition The wandering golfer, MUHKA, Antwerp 1998.
  • Belén Gache: Catalogue for the exhibition The wandering golfer, MUHKA, Antwerp 1998.
  • Mario Flecha: “Notes for a prologue ”, catalogue for the exhibition Incidental music, 1998, Essex.
  • Gabriel Perez Barreiro: “Artist in transit”, catalogue for the exhibition Incidental music, 1998, Essex.
  • José Tono Martínez: “Evidencias circunstanciales ”, Catalogue for the exhibition Evidencias circunstanciales , Museum of Modern Art Buenos Aires, 1998.
  • David Oubiña: “Los viajes de Gulliver”, catalogue of the exhibition at the ICI, Buenos Aires, 1995.
  • Francois Mitaine: Catalogue of the exhibition at Mitaine Gallery, Paris, 1992.
  • Jorge López Anaya: Catalogue of the exhibition Pinturas y retablos de fines del siglo XX, Buenos Aires 1989.
Catalogues in group exhibitions
  • Maria Gainza: Catalogue of the Venice Biennale, 2005.
  • Ana María Batistozzi: Catalogue of the exhibition Palabras perdidas, CCRecoleta, Buenos Aires, 2001.
  • José Jiménez: Catalogue of the exhibition El final del eclipse, fundación Telefónica, Madrid, España, 2001.
  • Jorge López Anaya: Catalogue of the exhibition Premio Banco de la Nación Argentina a las artes visuales 2000, Buenos Aires 2001.
  • Eduardo Grüner: Catalogue of the Argentine group at La Habana Biennale, 2000.
  • Belén Gache: Catalogue for the exhibition Borges.es, Casa de América, Madrid 1999.
  • Belén Gache: Catalogue of the exhibition Autorretratos, autobiografías, Centoira Gallery, Buenos Aires, 1998.
  • Andrea Giunta: Catalogue for the exhibition En tránsito, señales presentes, Fundación Banco Patricios, Buenos Aires, Museo del Chopo, México, 1997.
  • Jorge Glusberg: Catalogue of the exhibition 70, 80, 90, National Museum of Fine Arts, Buenos Aires, 1995.
  • Jacques Leenhardt: Catalogue of the exhibition Regards d'Amerique Latine, Galerie Régard, Geneve 1995.
  • Phillipe Cyroulnick: Catalogue of the exhibition L'Atelier de Buenos Aires, CREDAC, Ivry sur Seine, 1991.
  • Jorge Glusberg: Catalogue of the exhibition L'Atelier de Buenos Aires, CREDAC, Ivry sur Seine, 1991.
  • Alina Tortosa: Catalogue of the exhibition Los '80 en el MAM, Museum of Modern Art, Buenos Aires.
  • Jorge López Anaya: Catalogue of the exhibition Retorno y presencia, Galería Ruth Benzacar, Buenos Aires 1988.

 

Articles in books
  • Adriano Pedrosa: Jorge Macchi. CREAM3, Phaidon, London 2003
  • Jorge López Anaya: Estética de la incertidumbre, Buenos Aires 1999.
  • Jorge López Anaya: Historia del Arte Argentino, Buenos Aires 1997.

 

Articles in art magazines
  • Elena Oliveras: Jorge Macchi, tracks of a walker in the global city, ArtNexus 57, June 2005, Bogota.
  • Jorge López Anaya: Jorge Macchi. Revista Lápiz, julio 2003, Madrid.
  • María Gainza: Jorge Macchi. Tema celeste Nº92, julio 2002.
  • Adriano Pedrosa: Jorge Macchi - Ruth Benzacar Gallery. Artforum international, New York, October 2002.
  • Violeta Wenschelbaum: El movimiento mínimo, revista Teatro Colón, Buenos Aires, septiembre 2001.
  • Gustavo Buntinx: Bajo continuo, Cuatro primeras notas sobre Música incidental de Jorge Macchi, Arco Noticias Nº 18, September 2000, Madrid.
  • Inés Katzestein: Jorge Macchi, Art Nexus Nº31, January -March 1999.
  • Mario Flecha: América, Untitled Nº 16, London, 1998.
  • Inés Katzenstein: Jorge Macchi, Artinf 100, 1998, Buenos Aires.
  • Jorge López Anaya: Arte argentino en los ‘90, Lápiz 126, Madrid.
  • Jorge Glusberg: Jorge Macchi, D'ars, winter 95-96, Milan.
  • Gabriel Pérez Barreiro: Searching South, Untitled, summer 95-96, London.
  • Mario Flecha: “Two south-American artists”, Art and Design: New art from Latinamerica, October 94, London.
  • Silvia Ambrosini: Jorge Macchi, Artinf 84, 1993, Buenos Aires.
  • Jorge Glusberg: L'arte nell'America Latina, D'ars, summer 1991-1992, Milan.

 

Articles in newspapers

  • Fabián Lebenglick: Juegos de artificio, Página 12, Buenos Aires, 12-5-2002.
  • Alina Tortosa: Jorge Macchi, a talented trickster, Buenos Aires Herald, Buenos Aires, 5-5-2002.
  • Santiago García Navarro: Ser urbano, La Nación, Buenos Aires, 2- 2 –2001.
  • Alejandro Cruz: El teatro que busca renovar su imagen, La Nación, Buenos Aires, 3-3-2001.
  • Alina Tortosa: From objects to theatrical installations, Buenos Aires Herald, Buenos Aires, 28-1-2001.
  • Eva Grinstein: Volver al concepto, La Nación, Buenos Aires, 24-12-2000.
  • Ana María Batistozzi: Llegó la hora de mirar el mundo, Clarin, Buenos Aires, 30-12-2000.
  • Jorge López Anaya: Desocupación, La Nación, Buenos Aires, 7-1-2001.
  • Ana María Battistozzi: Imágenes sin historia, Clarín, 26-9-98, Buenos Aires.
  • Mercedes Casanegra: Anonimato urbano, La Nación, 27-9-98, Buenos Aires.
  • Santiago García Navarro: Doble evidencia, La Nación, 2-10-98, Buenos Aires.
  • Santiago García Navarro: El azar atrapado por la cola, La Nación, Buenos Aires, 11-6-98.
  • Corinne Sacca-Abadi: Dos propuestas: concepto y geometría, El cronista, Buenos Aires, 11-6-98.
  • Jorge López Anaya: Conceptualismos y paraisos perdidos, La Nación, Buenos Aires, 7-6-98.
  • Fabián Lebenglick: Caminos en forma de X, Página 12, 12-9-95, Buenos Aires.
  • Jorge López Anaya: Los placeres de la imprecisión, La Nación, 23-9-95, Buenos Aires.
  • Jorge López Anaya: Virtualidad del espacio y la representación, La Nación, 10-4-93, Buenos Aires.
  • Fabián Lebenglick: Oficio terrestre y celeste, Página 12, 20-4-93, Buenos Aires.
  • Jorge López Anaya: Jorge Macchi, entre lo sagrado y lo profano, La Nación, enero 1993.
  • Ed Shaw: Searching for spiritual elevation, Buenos Aires Herald, 10-11-91, Buenos Aires.

 

Artist's texts
  • Jorge Macchi: Catalogue of the exhibition El final del eclipse, Fundación Telefónica, Madrid, España, 2001.
  • Jorge Macchi: catalogue of the exhibition 12 views, The drawing center, New York, 2001.
  • Artists page, ZEHAR, Arteleku newspaper, Guipuzkoa, 1999
  • Incidental music, catalogue of the exhibition Incidental music, 1998, Essex.
  • Accident in Rotterdam, Catalogue of the exhibition The wandering golfer, MUHKA, Amberes 1998.
  • Incidental music, De Kade Publicatie 3, Rotterdam 1997.
  • Notes from Duende and Buenos Aires, De Kade Publicatie 2, Rotterdam 1996.

 

Other activities

2006

  • Stage design Romeo y Juliet by William Shakespeare, dir. Alejandro Tantanian, Luzerner Theater, Lucerna, Suiza.

2004

  • Stage design Vapor , by Mariano Pensotti, Espacio callejón, Buenos Aires.

2003

  • Carlos W. Sáenz 1956- ), work in collaboration with Edgardo Rudnitzky and Alejandro Tantanián for the Kunsten festival des arts, Brussels 2003.
  • Stage designing for XYZ, by D. Veronese. Dir: Silvia Hilario. Espacio Callejón. Buenos Aires.

2001

  • Stage designing for Cine quirúrgico, by A. Tantanián. Dir: Edgardo Rudnitzky. Portón de Sánchez, Buenos Aires.
  • Stage designing for La escala Humana by A. Tantanián, R. Spregelburd y J. Daulte. Teatro callejón de los Deseos, Buenos Aires.

2000

  • Stage designing for Julia/ Una tragedia naturalista, by A. Strindberg. Dir. Alejandro Tantanián. Teatro General San Martin, Buenos Aires.
  • TWG100, theatre piece by Jorge Macchi, Fundación Proa, Centro Rojas, Goethe Institut, Buenos Aires.

1999

  • Stage designing for La lengua materna, by Ignacio Apolo, Dir. Ignacio Apolo. Teatro del Pueblo, Buenos Aires.

1998

  • Sound installation Los restos del bailongo, collaboration with Hans Peter Kuhn, Edgardo Rudnitzky y Rubén Szuchmacher. Buenos Aires Tango Festival.
  • Stage designing for El soplador de estrellas, by Ricardo Talento, Dir. Uriel Milsztein. Sala Alberdi y Alvear Theatre, Buenos Aires.

1998-1999

  • Workshop of scenic research. Fundación Antorchas, coordinated by Rubén Szuchmacher and Edgardo Rudnitzky.

 

Colecciones

  • Tate Modern, Londres
  • Fundación Banco de la Nación Argentina, Buenos Aires.
  • Museo de Arte Moderno de Buenos Aires.
  • Museo de Arte Contemporáneo de Rosario, Argentina
  • Museo de Arte Contemporáneo de Amberes (MUHKA), Bélgica.
  • Fundación Arco, España.
  • Collection de la Province de Hainaut, Bélgica.
  • Museo de arte contemporáneo de Vigo, España.